Maureen Corrigan

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DAVE DAVIES, HOST:

Rumaan Alam's Leave the World Behind is a slippery and duplicitous marvel of a novel. When, deep into the night, a vacationing couple hears a knock at the door of their remote Airbnb rental in the Hamptons, as a reader you think, "Oh, this is a suspense story." Then, when that couple, who are white, opens the door to a couple outside who are Black and conversational awkwardness ensues, you think, "Oh, this is a comedy of manners about race, a kind of edgy riff on Guess Who's Coming to Dinner."

I've been reading and reviewing Sue Miller's novels ever since her debut, The Good Mother, became an instant bestseller in 1986. And for all those many years, I've been frustrated by Miller because her novels are so hard to do justice to in a review, especially on radio.

Here's a beaut of a sentence, one of many, from Lisa Donovan's new memoir, Our Lady of Perpetual Hunger: "[I]f someone values you only when you're about to walk out the door, you should definitely keep walking."

Back in the heyday of Detroit — from the Great Depression through the 1950s — Joseph "Ziggy" Johnson knew just about everybody who was worth knowing in the shops, bars, churches, theaters and nightclubs that lined the streets of that city's celebrated Black neighborhood, called "Black Bottom."

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